1 And with the addition of Roadside Assistance via satellite, the iPhone 15 Pro lineup builds on Apple’s innovative satellite infrastructure to connect users to help if they have car trouble while off the grid.Īvailable in 6.1-inch and 6.7-inch display sizes, 2 iPhone 15 Pro and iPhone 15 Pro Max feature a strong and lightweight titanium design - a first for iPhone. The new USB‑C connector is supercharged with USB 3 speeds - up to 20x faster than USB 2 - and together with new video formats, enables powerful pro workflows that were not possible before. A17 Pro unlocks next-level gaming experiences and pro performance. Powerful camera upgrades enable the equivalent of seven pro lenses with incredible image quality, including a more advanced 48MP Main camera system that now supports the new super-high-resolution 24MP default, the next generation of portraits with Focus and Depth Control, improvements to Night mode and Smart HDR, and an all-new 5x Telephoto camera exclusively on iPhone 15 Pro Max. The new design also features contoured edges and a customizable Action button, allowing users to personalize their iPhone experience. Her courage, however, paved the way for other black models like Naomi Campbell, Tyra Banks, Duckie Thot, among others.CUPERTINO, CALIFORNIA Apple today debuted iPhone 15 Pro and iPhone 15 Pro Max, designed with aerospace-grade titanium that’s strong yet lightweight to deliver Apple’s lightest Pro models ever. Retiring from modeling in 1970, Williams continued her career in fashion as a stylist. As more black models became more visible, cosmetic companies began doing a lot of research aimed at developing products for African-American women. Finally, the beautiful, talented and inspirational woman had broken the color barrier in the modeling industry. Some influential media personalities took up her case, exposing the plight of black fashion models in the country and drumming home the need for change.Įventually, the situation improved, especially for Williams, and she got booked for ads for major brands such as Loom Togs, Modess, and Budweiser. Having had enough of the bias of the fashion industry, Williams took her case to the press. Told to wait two hours in the reception of one agency, she was later told that the agency already had a black model and she was not needed. But when she went searching for a new agent in New York City, she realized that there had not been any major change. Williams later returned to America, hoping things had changed for models like her. “By the end of her tenure she was making a staggering $7,500 a year working part-time, and had received three marriage proposals from her French admirers, one of whom kissed her feet and murmured, ‘I worship the ground you walk on, mademoiselle’,” writes. Facing discrimination while trying to extend her career with other modeling houses, Williams moved to Paris in the 1960s, where she was embraced.įrance had a different outlook on black beauty and soon enough, the African-American beauty was modeling for big fashion designers like Christian Dior and Jean Dessès. “I was too dark to be accepted,” Williams once recalled. Even within the African-American modelling scene, ladies were expected to be light-skinned. And that was how she was able to break into a stereotyped industry like fashion in the 1950s, working with African-American magazines like Jet and Ebony.īut there was a problem – her dark skin color did not attract many industry folks in America, as non-white models were largely excluded from mainstream fashion.
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